The Little Prince Study Guide
The Rose
Within: A Personal Reflection on “The Little Prince”
Odin Halvorson
Aug 9, 2018
“Trying to be
witty leads to lying, more or less.” — Antoine De Saint-Exupery
Love,
and compassion — which is really just a particularly important form of
love — are concepts explored within The Little Prince — easily
the most famous novel by the French philosopher and writer Antoine De
Saint-Exupery. Like lit lamps in the darkness, it is these brilliant pinpricks
of light that exist as counterpoints to the fall from imagination most adults
eventually suffer.
Most of us know the
story of the Little Prince who came to Earth and finds, in a stranded aviator,
an odd friend. Within The Little Prince, the reader is exposed to philosophical
concepts that remain as painfully important in these troubled times as they
were during the time of Saint-Exupery’s writing.
In the middle of the
Second World War, the global consciousness was fraught with division,
exploitation, and ever-present fears regarding the future of civilization as it
had been known. This is, unfortunately, a cycle of fear which has repeated, and
continues to operate in the absence of any sense of unified optimism and
society-wide practice of compassion. We live in a world of numbers, and the
economics of modern life preclude the exploration of imagination; of laughter
and friendship and love; of a future in which a growth into common brotherhood — common
love — is possible. I read this tale, wondering where the human
species keeps going wrong. Where is our sense of greater responsibility toward
one another, and our planet? What might the fox in The Little Prince say to us?
“That’s
right,” the fox said. “For me you’re only a little boy just like a hundred
thousand other little boys. And I have no need of you. And you have no need of
me, either. For you I’m only a fox like a hundred thousand other foxes. But if
you tame me, we’ll need each other. You’ll be the only boy in the world for me.
I’ll be the only fox in the world for you . . .”
Like the narrator in
The Little Prince, who tells us about his first drawing as a child, of an
elephant inside a boa constrictor, there is within us a deep human longing. A
longing for a type of understanding that transcends the practical adult world.
We long for our internal worlds to be visible to others, and theirs to us — and this is
one of the reasons we press against the frontiers of existence with such
passion. Partly, too, this may be due to our inherent fear of death — which is
really just a fear of the ending of things before we’ve had the chance to experience what
the fox calls taming; before we’ve had
the chance to really explore what it means to be alive.
The
adult world is replete with cynical and clinical numeration. Adults detach
themselves from the world in an effort to quantify the essence of existence and
in so doing grip existence so tightly that they often choke the life right out
of it. Worse, so many adults would answer the question “are you happy” in the
affirmative, without actually understanding what has been asked — answering with a
nod only because they have never learned what it means to be truly at peace
with the nature of their life.
As
adults, we become distracted — force
distractions upon themselves — in
an effort to provide meaning to life, forgetting that the true essence of life
does not require a nine-to-five in order to be meaningful. Like the businessman
who the little prince encounters, adults reach out into the universe and claim
ownership of what they find, and thereby lose sight of the beauty of what they
find. Like the adults the little prince encounters on trains late in the novel,
adults of our real world cherish lives which are often just dull projections of
an unarrived-at destination.
“Good Morning,”
said the railway switchman.
“What is it you do here?” asked the little prince.
“I sort the travelers into bundles of a thousand,” the switchman said. “I dispatch the trains that carry them, sometimes to the right, sometimes to the left.”
[…]
“What a hurry they’re in,” said the little prince. “What are they looking for?”
“Not even the engineer on the locomotive knows,” the switchman said.
“What is it you do here?” asked the little prince.
“I sort the travelers into bundles of a thousand,” the switchman said. “I dispatch the trains that carry them, sometimes to the right, sometimes to the left.”
[…]
“What a hurry they’re in,” said the little prince. “What are they looking for?”
“Not even the engineer on the locomotive knows,” the switchman said.
The
children (and those who have remembered or relearned this way of seeing the
world) gaze gleefully out of the windows of the moving train, appreciating the
scenery of life as it flows inevitably past. The supposedly practical adults
are concerned only with the destination — forgetting
that the ultimate destination is embodied by the little yellow serpent whom the
little prince meets when he first arrives in the desert; the serpent which
eventually becomes the vehicle for his return to the stars. That is to say: the
destination of life is the end of life, so therefore it is the process
of life — not the
destination of life — which should most
concern the living while they are alive.
For
an adult to read The Little Prince, if they do so with an open mind, there is a
sweet sense of sadness and longing to be found in the story. A parable for
life, but also a parable for death — of
how to face the prospect of death well, by living a life that is full and
filled with love. Adults are also reminded of the beauty and importance of
ritual, as when the little fox says:
“…if you come at
four in the afternoon, I’ll begin to be happy by three. The closer it gets to
four, the happier I’ll feel. By four I’ll be all excited and worried; I’ll
discover what it costs to be happy! But if you come at any old time, I’ll never
know when to prepare my heart . . .”
For
adults (especially the heart-sick and the weary) it offers a reprieve,
solidarity, and a renewed appreciation for not-knowing — for not feeling
bad about not knowing.
We
are also shown a template for the foolishness of those who trumpet agendas of
division and discord — witness the
foolishness of the astronomers who refused to listen to their Turkish fellow
because of his traditional dress, but who applauded him when he returned in
Western garb. Within The Little Prince we adults find deeper meanings that draw
us back toward the simplicity of the existence we enjoyed as children.
Children who read (or
are read) this tale, will find something wonderful in the way adults are proven
to be foolish in the face of those elements of reality that dominate a child’s life.
If they are lucky, and the stars are bright overhead, and the moment is just
right, the mysteries of life that The Little Prince explores may carry over
from childhood into adulthood. Thus, the child may grow up with some of their
wonder and imagination intact.
The Little Prince
explores the deeper secrets of reality without suggesting answers — or
even that answers are possible — beyond those which
stem from the act of living a loving life. It opens the way to the well of
knowledge, without bowing to any particular dogma; it suggests that in the
shared experience of life — in the sharing of
life — we can learn again to be free.
This
article was originally published on Duende Literary and is posted here in
updated form.
The book begins with the failure of adults to understand
certain things that come easily to children, related to a conflict in their
priorities. The narrator then tells us that he is a pilot, who has crashed in
the African desert. He is visited by a boyish person with an odd little voice
and golden hair, who promptly asks the pilot to draw him a sheep. The first
explicit lesson of the prince is the baobab problem (ch.5): little bad things
rapidly grow and destroy you—you have to nip them in the bud. The little prince
then tells the pilot his story.
The prince lives on a very small planet, Asteroid B-612. His
companion there is a flower, the only other speaking inhabitant of his tiny
sphere. The flower is in love with him (ch.78), and just wants to be pampered
and loved. The prince wonders whether he really wishes to be with this flower
rather than somewhere else, so he leaves his planet and visits seven others.
The first six have only one inhabitant apiece:
Ridiculous king who believes he rules universally with
reasonable order, but in fact rules nothing
Conceited man who thinks everyone is an admirer
Tippler who is ashamed of drinking
Businessman who thinks he owns the stars
Lamplighter, who mindlessly follows orders (the little
prince likes him because at least he thinks of something besides himself)
Geographer, who has a real profession but is only interested
in non-ephemeral things.
Earth, where the prince meets a snake, flower, mountain,
roses, and a fox. The roses depress him because he realizes that his flower
back home is not unique. But the fox shows him that their relationship is what
makes the rose important. Then he meets a railway switchman and a merchant.
Through the prince’s account of his travels, the pilot comes
to understand what is so strange about “grown-ups”. The prince very simply
reveals to the pilot the ridiculous biases and assumptions we adult humans tend
to have. Towards the end of his journey, a fox had presented to the prince an
alternative way of thinking, a way the prince in turn explained to the pilot.
The pilot is drawn into a renewed appreciation of qualitative things, and
especially his relationships, such as his with the prince. As soon as he
realizes the truth of the prince’s perspective, his life is saved—he finds the
well of water in the desert. The little prince’s task complete, he comforts the
pilot and returns home to his flower. What he was looking for in life need not
be found in any particular place. He can find it on his own little planet as
easily as anywhere else in the universe.
Here are nuggets of the little prince’s wisdom, contrasting
with the views of “grown-ups”.
“GROWN-UPS” THE LITTLE PRINCE – stunted imagination (1) –
fertile imagination (1,2) – interests= bridge, golf, politics, neckties (1) –
interests= boa constrictors, primeval forests, stars (1) – prejudiced and
narrowminded in dress (4) – abstract, subtle thinkers (2) – “they love
figures”: quantitative and utilitarian features (4) – “figures are a matter of
indifference”; they love qualitative, aesthetic, and descriptive features (4) –
functions of plant parts are not as important as functions of engine parts (7)
– functions of engine parts are not as important as functions of plant parts
(7)
– meaningful pastime is adding up figures (7)
– meaningful pastimes are smelling flowers, looking at
stars, loving people, being concerned for species extinction (7)
– ridiculous king: impotent, but obsessed with authority
(10)
– response= “the grown-ups are very strange” (10)
– conceited man, to whom everyone is an admirer (11)
– response= “the grown-ups are certainly very odd” (11)
– tippler, ashamed of drinking (12)
– response= “the grown-ups are certainly very, very odd”
(12)
– businessman, thinks he owns the stars, and is content to
count them (13)
– response= “the grown-ups are certainly altogether
extraordinary”. Ownership is ridiculous, and any possession carries with it
responsibility (13)
– ephemeral things are unimportant (15)
– ephemeral things are interesting (15)
– have no friends, no time to understand anything (21)
– friendship is important (21)
– invest no time in loving anything (22)
– spend time caring for things (22) – don’t know what they
are – know what they are looking
looking for (22) for (22) – want to save time (23) – want to
savor time (23) – mill about and rush aimlessly (25) – rushing is not worth the
trouble
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